Guy Stanley Philoche
Guy Stanley Philoche is a Haitian born artist based in New York City whose figurative paintings center Black subjects in moments of presence, dignity, and quiet power. Philoche creates emotionally charged portraits set against solid fields of color, emphasizing visibility, self recognition, and interior life. Many of his subjects are inspired by children he encounters on the streets of Harlem, where he has lived and worked for over twenty five years, grounding the work in lived observation and community. His work has been exhibited internationally and is held in prominent private, public, and corporate collections including Google, Merrill Lynch, and Deutsche Bank.


The Fan
Mixed medium on canvas
48 x 60 - 2025
$55,000


Harlem Rennaissance
Mixed medium on canvas
48 x 60" - 2026
$55,000


Sunday’s Best
Mixed medium on canvas
30 × 40" - 2026
$20,000
SOLD

Boy With Suspenders
Mixed medium on canvas
40 x 40 - 2024
$45,000
Girl With the Polka Dot Dress
Mixed medium on canvas
48 x 60 - 2024
$55,000

Jump
Mixed medium on canvas
60 x 72 - 2024
$110,000
I am Somebody
Mixed medium on canvas
48 x 60" - 2026
$55,000

Holding On
Mixed medium on canvas
48 x 60" - 2026
$55,000

Girl Wtih I Love NY Bag
Mixed medium on canvas
30 x 40" - 2026
$20,000
SOLD

Young Prince
Mixed medium on canvas
30 x 40" - 2026
$20,000
SOLD

Flowers From The Philoche Garden
Stainless Steel and Aluminum
16 in h. - 2025 (Limited Edition)
$15,000

Girl Wtih I Love NY Bag
Mixed medium on canvas
30 x 40" - 2026
$20,000
SOLD

Young Prince
Mixed medium on canvas
30 x 40" - 2026
$20,000
SOLD

Flowers From The Philoche Garden
Stainless Steel and Aluminum
16 in h. - 2025 (Limited Edition)
$15,000
Eddy Ochieng
Eddy Ochieng’s hyperreal portraiture intensifies the viewer’s encounter with the figure through intimacy, luminosity, and surface. His exacting attention to skin, moisture, and light slows the act of looking, transforming realism into a mode of care rather than display. Ochieng’s figures confront the viewer with vulnerability and dignity, their presence intensified through scale and detail that resist easy consumption. Where Philoche distills the field to affirm the autonomy of the figure, Ochieng builds the image through devotion to the body itself, each mark registering time, breath, and emotional endurance. Together, these artists position figuration as a site of sovereignty, one shaped through reduction and symbolic clarity, the other through reverence and precision.


The Daydreamer
Oil on canvas
47 x 60" - 2026
$12,500
SOLD

Half Known
Oil on canvas
59 x 59" - 2026
$15,500

Pindrop Hour
Oil on canvas
47 x 60" - 2026
$12,500

Her Hands Began The Story
Oil on Canvas
47 x 60" - 2025
$12,500

Serenity Within
Oil on canvas
59 x 59" - 2026
$15,500

Little Miss Perspective
Oil on canvas
60 x 54" - 2026
$13,500

Here to win
Oil on canvas
47x 60" - 2026
$12,500
Omar Lawson
Omar Lawson is a New York–based artist whose large-scale, mixed-media portraits explore Black identity, individuality, and the nuances of perception. Working across oil, acrylic, colored pencil, and plexiglass, Lawson creates layered compositions that challenge stereotypes and celebrate the complexity of everyday people. His work draws inspiration from the concept of “sonder”—the realization that each passerby has a life as vivid and complex as one’s own. Lawson’s paintings have been featured in exhibitions such as “Welcome Back” at NYC Culture Club and in group shows at First Street Gallery in Chelsea. He has participated in residencies with Liquitex and Artists Network, where he developed series focused on themes of dress, self-definition, and cultural memory. Influenced by artists like Kerry James Marshall and Barkley L. Hendricks, Lawson’s practice is rooted in both personal reflection and broader cultural commentary.


Banksy
Banksy’s work occupies the charged intersection of image and intervention, where public space becomes both canvas and site of confrontation. His stenciled compositions, often executed with immediacy and precision, collapse humor and critique into gestures that expose systems of power, surveillance, and consumption. Figures such as children, soldiers, and everyday civilians recur as agents within scenes that expose systems of power, surveillance, and consumption. Though his identity has been revealed, Banksy’s practice continues to transform visibility into a tool of disruption, where walls speak, symbols fracture, and the familiar is recast as a provocation that demands reflection, resistance, and public engagement.

Trolleys (Colour)
Screen Print
56 x 76 cm
Edition 374 of 750 - 2007
$30,000


